Acting Isn’t About You
May 27, 2025
And the sooner you get that, the better you’ll be.
Let’s get this out of the way:
Yes, acting takes guts. Yes, you bring your heart, your past, your fears, your entire emotional toolkit into every scene.
But despite all that?
It’s still not about you.
And the more you make it about you—your nerves, your look, your need to prove something—the more you shrink the story you’re supposed to be telling.
Who Are You Really Serving?
You serve the story.
You serve the audience.
You serve the truth in the moment.
If your focus is on how you're coming across instead of what the scene needs, you're not acting. You’re performing for approval.
And here’s the tough truth: the audience can feel the difference.
The best actors disappear. They stop needing the spotlight and become the lens. They let the character live through them. It’s not about being impressive. It’s about being invisible in the service of something bigger.
The Ego Trap
Actors who make it about themselves fall into one of three traps:
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Perfectionism. You’re more worried about getting it “right” than being real.
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Validation hunger. You need constant reassurance that you were good.
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Comparison. You measure your worth against everyone else in the room.
All three kill the work.
All three disconnect you from your scene partner.
All three keep you chasing a feeling that never lasts.
Flip the Focus
Instead of asking:
“Did I do a good job?”
Ask:
“Did I tell the story honestly?”
“Did I stay connected to the other person?”
“Did I serve the moment?”
This isn’t about lowering your ambition. It’s about aiming it in the right direction.
When you stop performing for approval, you unlock freedom. You start trusting your instincts. You start taking risks. You start living in the scene instead of outside it, judging it.
And ironically, that’s when people start to notice you.
What Real Connection Looks Like
Ever watch an actor and feel like they’re not even trying… but you can’t look away?
That’s presence. That’s surrender. That’s the magic of letting go.
They’re not up there trying to impress you. They’re just being, fully, truthfully. And that kind of performance isn’t about the actor. It’s about the story coming alive through them.
And that’s the kind of actor directors rehire.
That’s the kind of actor audiences remember.
That’s the kind of actor who changes lives.
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See you next week!